{"product_id":"femme-robe-verte-claude-monet","title":"Camille ou A Mulher do Vestido Verde W65 - Claude Monet","description":"\u003cstyle\u003e\n.ar-monet{--ink:#17201b;--muted:#657068;--paper:#f1f2e8;--cream:#fbfaf3;--mist:#dce5dc;--green:#416a56;--blue:#577f9d;--gold:#c49c55;--line:rgba(23,32,27,.16);color:var(--ink);background:var(--paper);font-family:Arial,Helvetica,sans-serif;line-height:1.65;overflow:hidden}.ar-monet *{box-sizing:border-box}.ar-monet img{display:block;max-width:100%;height:auto}.ar-monet a{color:inherit}.ar-monet .ar-wrap{width:min(1180px,calc(100% - 48px));margin:0 auto}.ar-monet .ar-section{padding:86px 0}.ar-monet .ar-eyebrow{margin:0 0 12px;color:var(--green);font-size:12px;font-weight:800;letter-spacing:.15em;text-transform:uppercase}.ar-monet .ar-title{max-width:900px;margin:0;font:400 clamp(38px,6vw,70px)\/1.02 Georgia,'Times New Roman',serif!important;letter-spacing:-.045em;color:var(--ink)}.ar-monet .ar-intro{max-width:800px;margin:20px 0 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h2{overflow-wrap:anywhere;word-break:normal}\n@media(max-width:900px){.ar-monet .ar-hero-grid,.ar-monet .ar-overview,.ar-monet .ar-analysis,.ar-monet .ar-hd-grid,.ar-monet .ar-product-grid,.ar-monet .ar-deco{grid-template-columns:1fr}.ar-monet .ar-cards{grid-template-columns:1fr}.ar-monet .ar-benefits,.ar-monet .ar-stats{grid-template-columns:repeat(2,1fr)}.ar-monet .ar-stat:nth-child(3),.ar-monet .ar-stat:nth-child(4){border-top:1px solid var(--line)}.ar-monet .ar-stat:nth-child(3){border-left:0}.ar-monet .ar-overview,.ar-monet .ar-product-grid{gap:42px}}\n@media(max-width:600px){.ar-monet .ar-wrap{width:calc(100% - 28px)}.ar-monet .ar-section{padding:62px 0}.ar-monet .ar-title{font-size:36px!important}.ar-monet .ar-hero{padding:45px 0 34px}.ar-monet .ar-hero h2{font-size:42px!important}.ar-monet .ar-art{padding-left:0}.ar-monet .ar-art img{min-height:270px}.ar-monet .ar-caption{right:0}.ar-monet .ar-benefit,.ar-monet .ar-stat{padding:16px 14px}.ar-monet .ar-analysis-image,.ar-monet .ar-analysis-image img{min-height:340px;height:340px}.ar-monet .ar-hd-card img{height:430px}.ar-monet .ar-panel,.ar-monet .ar-deco-box{padding:24px}.ar-monet .ar-table th,.ar-monet .ar-table td{display:block;width:100%;padding:9px 0 0}.ar-monet .ar-table td{padding:0 0 9px}}\n\u003c\/style\u003e\n\u003cdiv class=\"ar-monet\" data-product-master-template=\"monet-186\"\u003e\n\u003csection class=\"ar-hero\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cdiv class=\"ar-hero-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eClaude Monet · Camille Doncieux em grande retrato do Salão · Kunsthalle em Bremen\u003c\/p\u003e\n\u003ch2\u003eCamille ou A Mulher do Vestido Verde W65\u003cspan\u003ereprodução pintada à mão\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"ar-lead\"\u003eCamille Doncieux se vira ligeiramente, com o rosto de perfil e as mãos voltadas para a gola da jaqueta Seu vestido de seda verde e preto se alarga em um longo trem que ocupa toda a parte inferior da pintura Monet adota o formato monumental do retrato cerimonial, mas a postura tomada em movimento, o olhar evitado e a modernidade da roupa dão à figura uma nova presença.\u003c\/p\u003e\n\u003cdiv class=\"ar-pills\"\u003e\n\u003cspan class=\"ar-pill\"\u003eÓleo sobre tela\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePintado à mão\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003eFoto antes da expedição\u003c\/span\u003e\u003cspan class=\"ar-pill\"\u003ePossíveis alterações\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cfigure class=\"ar-art\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/camille-robe-verte-w65-claude-monet.webp?v=1785190110\u0026amp;width=2400\u0026amp;format=webp\" alt=\"Camille ou A Mulher do Vestido Verde W65 - Claude Monet - vista completa\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\u003e\u003cfigcaption class=\"ar-caption\"\u003e\u003cstrong\u003eCamille ou A Mulher do Vestido Verde W65\u003c\/strong\u003eClaude Monet · 1866\u003c\/figcaption\u003e\u003c\/figure\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stats\"\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e1866\u003c\/strong\u003e\u003cspan\u003eNamoro\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e231×151 cm\u003c\/strong\u003e\u003cspan\u003eDimensões do original\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003eÓleo sobre tela\u003c\/strong\u003e\u003cspan\u003eTécnica original\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-stat\"\u003e\n\u003cstrong\u003e298-1906\/1 · Wildenstein 65\u003c\/strong\u003e\u003cspan\u003eInventário\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cdiv class=\"ar-benefits\"\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eUma pintura real\u003c\/b\u003e\u003cspan\u003eA tela é pintada, nunca impressa.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eCriado para você\u003c\/b\u003e\u003cspan\u003eCada cópia é feita sob encomenda.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eControlado na foto\u003c\/b\u003e\u003cspan\u003eVocê vê a pintura finalizada antes de partir.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-benefit\"\u003e\n\u003cb\u003eretoques incluídos\u003c\/b\u003e\u003cspan\u003eOs ajustes são feitos antes do envio.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-overview\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eOlha para o trabalho\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUma silhueta quase comovente renova o retrato completo\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-prose\"\u003eCamille é mostrada com três quartos de suas costas, como se ela tivesse acabado de girar Seu rosto se destaca contra um fundo marrom muito escuro, enquanto um pequeno chapéu preto decorado com penas segura o cabelo Mãos enluvadas ou acesas perto do colar concentram o gesto na parte superior.\u003c\/p\u003e\n\u003cp class=\"ar-prose\"\u003eA jaqueta de veludo preto forrado com pele forma uma massa curta acima da saia Isso alterna faixas verde esmeralda e preto largo que seguem o volume, em seguida, espalhar para a esquerda em um trem O piso de parquet bege, pintado em perspectiva, dá a escala em tamanho real da figura.\u003c\/p\u003e\n\u003cblockquote class=\"ar-quote\"\u003eA roupa não é um acessório: suas faixas, seu trem e seus materiais constroem a pose tanto quanto o rosto e transformam Camille em uma aparência moderna.\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-dark\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eComposição, toque e luz\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eO que Monet constrói por trás da impressão de instantâneo\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eTrês elementos precisos permitem compreender esta composição e as dificuldades essenciais da reprodução fiel.\u003c\/p\u003e\n\u003cdiv class=\"ar-analysis-list\" style=\"margin-top:42px\"\u003e\n\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e01\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUma pose virada em vez de frontal\u003c\/h3\u003e\n\u003cp\u003eAs costas, o ombro levantado e o rosto de perfil sugerem um movimento suspenso Essa torção evita a frontalidade oficial do retrato cerimonial e produz uma silhueta instantaneamente reconhecível.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e02\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eVerde modulado pelo preto\u003c\/h3\u003e\n\u003cp\u003eAs faixas esmeraldas da saia mudam de áreas quase verdes puras para azuis escuras dependendo das dobras As faixas pretas não são planas: refletem brilhos marrons, azuis e verdes que dão peso ao tecido.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003carticle class=\"ar-analysis-item\"\u003e\u003cspan class=\"ar-num\"\u003e03\u003c\/span\u003e\u003cdiv\u003e\n\u003ch3\u003eUma figura isolada por um fundo sóbrio\u003c\/h3\u003e\n\u003cp\u003eA cortina marrom quase não tem objetos narrativos Suas variações quentes trazem o verde e o rosto, enquanto o chão claro sob o trem impede que o vestido se perca inteiramente nas sombras.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-hd\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eImagem referência\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eLeia esta versão específica\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eO visual mostra Camille, conhecida como A Mulher no Vestido Verde, inventário 298-1906\/1 da Kunsthalle Bremen e Wildenstein número 65. a imagem de 1.947 × 3.000 px é apresentada em sua definição nativa em um WebP real.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eComposição\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eO trem determina a silhueta\u003c\/h3\u003e\n\u003cp\u003eSua borda começa a partir do corpo, em seguida, desliza amplamente para a esquerda Respeite o seu comprimento, seu ângulo e a alternância de bandas é essencial para manter a majestade do formato.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eCor\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eO rosto permanece visto de perfil\u003c\/h3\u003e\n\u003cp\u003eCamille não olha nem para o pintor nem para o espectador A linha do nariz, o queixo inclinado e a sombra do cabelo devem preservar essa distância sem endurecer as características.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMatéria\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003ePele, veludo e seda não brilham da mesma maneira\u003c\/h3\u003e\n\u003cp\u003eO pelo recebe toques curtos e foscos, a jaqueta absorve a luz e a seda da saia produz passagens mais nítidas Sua diferenciação dá ao retrato sua riqueza tátil.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap\"\u003e\n\u003cp class=\"ar-eyebrow\"\u003eBenchmarks documentados\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eTrês informações específicas deste trabalho\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eAssinado e datado de 1866, este óleo sobre tela mede 231 × 151 cm É mantido no Kunsthalle Bremen sob o inventário 298-1906\/1 e listado como Wildenstein 65.\u003c\/p\u003e\n\u003cdiv class=\"ar-cards\"\u003e\n\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eRealização\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e01\u003c\/span\u003e\u003ch3\u003eUma solução rápida para o Show\u003c\/h3\u003e\n\u003cp\u003eMonet entendeu no início de 1866 que não terminaria seu grande Almoço na Grama a tempo Ele então pintou Camille em retrato de corpo inteiro, a fim de ter um trabalho ambicioso para o Salão do mesmo ano.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eRecepção\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e02\u003c\/span\u003e\u003ch3\u003eUm sucesso notado por Émile Zola\u003c\/h3\u003e\n\u003cp\u003eAceita no Salão de 1866, a tela teve uma recepção favorável Émile Zola elogia o frescor da pintura; o formato reservado aos soberanos, à aristocracia e à alta burguesia aplicado ao companheiro do pintor parece particularmente ousado.\u003c\/p\u003e\u003c\/article\u003e\u003carticle class=\"ar-card\"\u003e\u003cspan class=\"ar-card-label\"\u003eMuseu\u003c\/span\u003e\u003cspan class=\"ar-card-index\"\u003e03\u003c\/span\u003e\u003ch3\u003eAdquirido em Bremen em 1906\u003c\/h3\u003e\n\u003cp\u003eA Kunsthalle Bremen adquiriu a obra em 1906 sob a direção de Gustav Pauli, com o apoio da Galerieverein, Continua a ser um dos grandes retratos franceses da coleção e está exposto sob o título Camille.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section ar-product\"\u003e\u003cdiv class=\"ar-wrap ar-product-grid\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eSua reprodução\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eO que o pintor deve preservar\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eA fidelidade aqui depende de relações precisas entre luz, toque, profundidade e temperatura da cor.\u003c\/p\u003e\n\u003cul class=\"ar-focus\"\u003e\n\u003cli\u003eRespeite a escala em tamanho real e a torção do corpo.\u003c\/li\u003e\n\u003cli\u003eManter alternância irregular de faixas verdes e pretas.\u003c\/li\u003e\n\u003cli\u003eDiferenciar entre seda, veludo, pele e parquet.\u003c\/li\u003e\n\u003cli\u003eMantenha a face em um perfil desviado sob luz medida.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ar-panel\"\u003e\n\u003ch3\u003eFolha trabalho\u003c\/h3\u003e\n\u003ctable class=\"ar-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eTítulo\u003c\/th\u003e\n\u003ctd\u003eCamille ou A Mulher do Vestido Verde W65\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eArtista\u003c\/th\u003e\n\u003ctd\u003eClaude Monet (1840-1926)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eData\u003c\/th\u003e\n\u003ctd\u003e1866\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eTécnica original\u003c\/th\u003e\n\u003ctd\u003eÓleo sobre tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eDimensões\u003c\/th\u003e\n\u003ctd\u003e231×151 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eOrientação\u003c\/th\u003e\n\u003ctd\u003eVertical monumental\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eConservação\u003c\/th\u003e\n\u003ctd\u003eKunsthalle Bremen, Bremen, Alemanha\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eInventário\u003c\/th\u003e\n\u003ctd\u003e298-1906\/1 · Wildenstein 65\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eSua reprodução\u003c\/th\u003e\n\u003ctd\u003ePintura a óleo feita à mão sobre tela\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ca class=\"ar-source\" href=\"https:\/\/onlinekatalog.kunsthalle-bremen.de\/DE-MUS-027614\/object\/4904\" target=\"_blank\" rel=\"noopener\"\u003eConsultar o aviso de referência - Kunsthalle Bremen - Camille, inventário 298-1906\/1\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003csection class=\"ar-section\"\u003e\u003cdiv class=\"ar-wrap ar-deco\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"ar-eyebrow\"\u003eApresentação no seu interior\u003c\/p\u003e\n\u003ch2 class=\"ar-title\"\u003eUma paleta desenhada com o quarto\u003c\/h2\u003e\n\u003cp class=\"ar-intro\"\u003eEste retrato monumental torna-se um ponto focal numa entrada, numa sala de estar com tecto alto ou numa escada Uma moldura patinada em preto, ouro escuro ou nogueira acompanha o fundo castanho; uma parede de marfim, verde profundo ou rosa velho revela o vestido.\u003c\/p\u003e\n\u003cdiv class=\"ar-palette\" aria-label=\"Palette inspirée de Camille ou La Femme à la robe verte W65 – Claude Monet\"\u003e\n\u003ci style=\"background:#1f241c\"\u003e\u003c\/i\u003e\u003ci style=\"background:#08744d\"\u003e\u003c\/i\u003e\u003ci style=\"background:#113f31\"\u003e\u003c\/i\u003e\u003ci style=\"background:#4a2c27\"\u003e\u003c\/i\u003e\u003ci style=\"background:#b19b7a\"\u003e\u003c\/i\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003caside class=\"ar-deco-box\"\u003e\u003ch3\u003eConselhos desenvolvimento\u003c\/h3\u003e\n\u003cp\u003eEscolha uma luz suave e ligeiramente lateral Revela variações no material sem criar uma reflexão frontal e retém a vibração das cores a diferentes distâncias.\u003c\/p\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\u003cfooter class=\"ar-final\"\u003e\u003ch3\u003eCamille ou A Mulher no Vestido Verde W65, pintado para o seu interior\u003c\/h3\u003e\n\u003cp\u003eReprodução de pintura a óleo sobre tela feita individualmente, foto controlada e ajustável antes do envio.\u003c\/p\u003e\n\u003cstrong\u003ePintado à mão · Referência WebP · Validação de fotos\u003c\/strong\u003e\u003c\/footer\u003e\n\u003c\/div\u003e","brand":"Alpha Reproduction","offers":[{"title":"Formato Descoberta (75 x 50 cm)","offer_id":46591787729122,"sku":"LA_FEMME_EN_ROBE_VERTE_75x50","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/9656\/6169\/files\/camille-robe-verte-w65-claude-monet.webp?v=1785190110","url":"https:\/\/br.alphareproduction.com\/products\/mulher-vestido-verde-claude-monet","provider":"Alpha Reproduction","version":"1.0","type":"link"}